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To truly understand the brilliance of the men and women who shaped Hindi film music, we must learn their tools. Burman’s daring musical ingenuity in his break-out film Teesri Manzil, Bollywood music as we know it would be radically different. Without composer Naushad defying his parents to play the harmonium “live” for silent films in the 1930s or R.D. Their risks and creativity were a gift to generations of music-lovers. The incredible talents of Hindi film music directors and musicians are responsible for the compositions we love today. The history of Bollywood film music goes much deeper than the playback singers who lived in limelight. How many different instruments can you spot in this photo?Įver find yourself listening to Bollywood film music and feel like your brain is exploding in ecstasy from the rainbow of instruments striking your tympanic membranes? We know the feeling.
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According to Jayant, the most ludicrous thing about the plot was that Vyjayanthimala lay sleeping for two weeks after she is bitten by a snake, till her lover plays the 'been' to bring the reptile back and take away the poison so she can be reunited with him.Music director Madan Mohan in his studio circa. The story revolved around Mala and Sanatan who like a '50s Romeo-Juliet', fall in love despite the acrimony between their tribes. Interestingly, even though Hemant Kumar had planned to use a real 'been' which he got from a sapera (snake charmer) for the song, 'Man Dole Mera Tan Dole' he eventually got the music he wanted by combining a clay violin strummed by Kalyanji and the harmonium played by his assistant Ravi. The 'been' music caught on across India and the film blazed like an Australian wildfire, going on to celebrate a platinum jubilee run,' Jayant exults. As a boy of 10, he remembers accompanying his baba to Regal and Lido cinemas where only flies buzzed around and, seeing him return home, bitterly disappointed. However, Jayant is quick to remind that for the first two weeks, 'Nagin' ran to empty theatres.
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Hemant Kumar and Pradeep Kumar also never looked back after 'Nagin',' informs Deb. Since his Anarkali, Bina Rai, didn't know dancing, they opted for Vyjayanthimala who rocketed to the big league with this film. Anarkali was a superhit and my father decided to repeat the director-actor jodi of Nandlal Jaswantlal and Pradeep Kumar in 'Nagin'. My father opted for the latter even though he didn't speak Urdu, hiring a teacher so he got the pronunciation right and cast Shammi in 'Hum Sab Chor Hai'. 'Both Shammi Kapoor and Pradeep Kumar had auditioned for the role of Prince Salim. Mukherjee's son, Deb, points out that his father had put Pradeep Kumar on the road to success with the historical 'Anarkali'. 'You need to give a hit first, else it will be an insult to me since I brought you down,' he reasoned, and soon after offered him 'Nagin'. The composer who was smoking dejectedly turned to come face-to-face with an angry Sashadhar who caught him by the scruff of his neck and asked him why he was going back. The filmmaker told her that he was on his way and not to inform Hemant.